We are getting ever closer to an improved liturgy
in the English-speaking world. The new Missal gives us a more dignified
language that more closely reflects the Latin standard. The hippy-dippy
rupturism of the past is finally giving way to a more settled and
solemn appreciation of the intrinsic majesty of the Roman rite.
A new generation of celebrants is moving past the politicized agendas
of the past toward embracing the true spirit of the liturgy. Maybe it
hasn’t happened in your parish but the trend is clear: better music,
better vestments, better postures and rubrics.
And yet, we all know that things are not what they should be. It is
an interesting experiment to travel and attend Sunday Mass at a random
parish. You might find wonderful things. Or you might find something
else entirely. Having experienced many of the latter, and talking with
many other people about their experiences, I here list the top five ways
in which the presentation of the liturgy can ruin the liturgical
experience.
1. Improvisation of the Liturgical Texts
The problem of celebrants who make up their own words on the spot,
in hopes of making the liturgy more chatty and familiar, continues to be
a serious annoyance. It is obviously illicit to do so. Celebrants are
permitted to break to explain parts of the Mass or provide other special
instructions. But they are not permitted to replace liturgical texts
with something that they dreamed up on the spot.
This abuse is extremely disorienting and draws undue attention to the
personality and personal views of the priest rather than to the
theology and ritual prescribed by the Church. It is also ridiculously
presumptuous for any one person to imagine that he has a better idea
than the liturgical text formed from 2,000 years of tradition.
I have my own theory on why it is so common for celebrants to just
make things up on the spot. The older Missal translation dating from
1970 and onward was so casual, chatty, and plain that it encouraged the
priest to enter into this world of casual communication. The formality
just wasn’t there to encourage a more sober, careful, and accurate
presentation. Also, many improvisers just had a sense that the text
needed fixing of some sort.
This has changed with the new Missal, and this is all to the good.
The new translation is very dignified and requires careful focus. But
the habit of riffing around on the prayers remains among many priests.
This is truly tragic for everyone sitting in the pews. If the texts
can just be ignored, why shouldn’t the faithful themselves feel free to
take what they want and otherwise discard core teachings of the faith?
This whole practices encourages a general disrespect for the ritual and
even the faith itself.
2. Politicized and Newsy Prayer of the Faithful
The General Instruction of the Roman Missal says of the prayer of
the faithful: “The intentions announced should be sober, be composed
with a wise liberty and in few words, and they should be expressive of
the prayer of the entire community.”
“Wise liberty” seems to be in short supply however. Sometimes these
prayers seem like last month’s newspaper, calling to mind events that
left the 48-hour news cycle long ago. Or they can seem subtly
manipulative, trying to get us to think and believe things about the
controversies of the day that are actually more in dispute than the
prayer would indicate. A particular annoyance to me are the prayers that
are crafted to straddle some kind of triangulating political position
that has nothing to do with the liturgy or doctrine or morals.
Most parishes today use pre-printed prayers from private publishers.
Some are better than others. The best ones are brief and stick to the
formula: prayers for the Church, for public authorities and the
salvation of the whole world, for those burdened, and for the local
community. The worst ones lead the whole liturgy astray in very
distracting ways.
3. Extended and Chatty Sign of the Peace
The rite of peace has a long tradition in the Roman Rite dating to
the earliest centuries. It was mostly restricted to the clergy. There
are arguments and disputes about whether extending it to the
congregation is a revival of a lost tradition or an innovation.
Regardless, this much we do know: it is not supposed to be a
micro-social hour that encourages people to mill around as if at a
cocktail party.
The Missal plainly says that the extension to the congregation is
optional. The requirement of the rite is fulfilled in the sanctuary
alone. Therefore, if there is an invitation to have the people offer a
sign of peace, it should be short. The
General Instruction says: “it is appropriate that each person, in a sober manner, offer the sign of peace only to those who are nearest.”
But even this is vague. What is nearest? What if you are the only
person in your section of the pew? Do you walk, wave, or just ignore
people? And note that no rubric specifies the handshake as the
appropriate gesture. We do that just because this is our cultural
custom. But is the handshake really liturgical?
In general, this whole part of the Mass invites confusion and
awkwardness, and no matter how much we try to solemnize it, it still has
more of the feeling of a civic or social activity than a truly
liturgical one. At best it is a distraction. At worst, it can result in
hurt feelings and all around confusion.
4. Replacing Sung Propers with Something Else
Since the earliest centuries, the liturgy assigned particular
scriptural texts to particular liturgical days. This happens at the
entrance, the music between readings, the offertory, and the communion.
The instructions are very clear: the assigned chant is to be sung. If
something else was sung, the words were still said by the priest. And so
it was in most countries from the 7th century until quite recently.
Today, the Mass propers are mostly replaced by something else,
usually a hymn with words made up by some lyricist. Quite often the
results have nothing to do with the liturgy at all. It’s actually
remarkable when you think about it. Choirs busy themselves with
replacing crucial parts of the liturgy. They just drop them completely.
Mostly they do this with no awareness of what they are doing.
How many choirs know that their processional hymn is displacing the
assigned entrance? How many know that there is a real antiphon assigned
at the offertory and that it is not just a time for the choir to sing
its favorite number? How many have read the repeated urgings in the
General Instruction to sing the assigned chant or at least use the text
in the official choir books rather than just choose a random song
loosely based on the theme of the season?
To be sure, this is technically permissible to do, but, truly, this
approach “cheats the faithful,” as the Vatican wrote in an instruction
in 1969. The propers of the Mass are crucial. They are from scripture.
Their Gregorian originals are stunningly evocative of the liturgical
spirit and even define it. Even if sung in English or in choral style,
the propers are part of the Mass. It should always be seen as
regrettable when something else replaces them.
The General Instruction says “Nor is it lawful to replace the
readings and Responsorial Psalm, which contain the Word of God, with
other, non‐biblical texts.” That’s pretty definitive. But the same
rationale should apply to the entrance, offertory, and communion chants
as well.
Composed hymns with non-scriptural texts don’t need to be thrown out
completely. They can be sung and always will be. But the real liturgical
work of the choir is found in the Mass propers. That’s their primary
responsibility. There are resources newly available that make it
possible for any choir to do the right thing.
5. Percussion
In the first millennium, instruments were not part of the sung Mass,
but as time went on, the organ was gradually admitted. By the 17th and
18th centuries, whole orchestras were used in certain locations. Even
today you can find places where orchestral Masses are used that include
tympani and other percussion instruments.
Most likely, that is not the context in which percussion instruments are used in your parish.
Today we hear conga drums, trap sets, bongos, and other drums played
not in the style of Monteverdi processions, or Masses by Haydn or
Mozart. Instead we hear them just as we would hear them in a bar or
dance hall.
They are used just as they are in the secular world: to keep a beat,
to make the music groovy, to inspired us to kind of do a bit of a dance.
That’s the association of percussion we have in our culture. It is not a
sacred association. The association is entirely profane. There’s a role
for that. But Church is not the place and Mass is not the time.
And keep in mind: the piano is a percussion instrument. It has been
traditionally banned in Church because it has non-liturgical
associations. In today’s anything-goes environment, it is tolerated even
by the liturgical regulations. But it is always a regrettable choice.
The whole point of liturgical music is to lift our eyes and hearts to
heaven, not drag us down to the dance floor.
One final point on this matter: you will notice that many of the
songs in the conventional songbooks for Mass today seem to long for a
drum-set backup. That’s because their style is borrowed from commercial
jingles, TV show theme songs, power ballads from the 1970s, and so on. I
don’t entirely blame choirs who choose drums to help out to make this
style make more sense. What really needs to change is the whole approach
here. Liturgical music has several critical marks: it uses the
liturgical text, it grows out of the chant tradition, and sends a
cultural signal that this is a sacred action in a sacred place.
Conclusion
A liturgy in which all five errors are committed is going to look
and feel very different from one in which all five errors are completely
avoided. The former will be random and unhistorical. The latter will
be…more like Catholic Mass. It really is up to the pastors, musicians,
and leaders in a parish to permit the voice of the liturgy to speak and
sing without being impeded by these interventions, which really serve to
distract from the beautiful miracle before our eyes.